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Ways of Seeing Paperback | Pages: 176 pages
Rating: 3.83 | 227103 Users | 1421 Reviews

Describe Books In Favor Of Ways of Seeing

Original Title: Ways of Seeing
ISBN: 0140135154 (ISBN13: 9780140135152)
Edition Language: English
Literary Awards: James Tait Black Memorial Prize, Brooker Award

Relation During Books Ways of Seeing

John Berger’s Classic Text on Art John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has. "Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review "The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of Telling Winner of the 1972 Booker Prize for his novel, G., John Peter Berger (born November 5th, 1926) is an art critic, painter and author of many novels including A Painter of Our Time, From A to X and Bento’s Sketchbook.

Mention Regarding Books Ways of Seeing

Title:Ways of Seeing
Author:John Berger
Book Format:Paperback
Book Edition:Deluxe Edition
Pages:Pages: 176 pages
Published:1990 by Penguin (first published 1972)
Categories:Art. Nonfiction. Philosophy. Writing. Essays. Art History. Photography

Rating Regarding Books Ways of Seeing
Ratings: 3.83 From 227103 Users | 1421 Reviews

Comment On Regarding Books Ways of Seeing
Read this for my Composition class. Its a great read when first read since his main ideas stand out, have clarity, and are verified (to some degree), however re-reading it introduces the more "radical" ideas. In his essay he raises the idea of "mysticification." Which is great and all but he chooses to not define it. I had to keep going back trying to find a definition in context however failed. He seems to switch it around a lot.My Composition professor raised a good point- Berger is so against

this is a semi regular occurence in my life: books i was assigned to read in college that i did not read or did not read with any great diligence and then some years later i come to learn that said book slaps majorly. berger's project of translating frankfurt school seems particularly worthwhile but also it is just a fun and humane engagement with visual art

2007 wrote: This book, based on a television series, explores how the art world of now has come to be by exploring what art was to humans in the past. The theories presented are very interesting and are posed with pictorial references that do very well to prove points. One interesting chapter deals exclusively with the 'Nude' in art overtime. Overtime it has been reviled, reveared, copied, censored, hidden, hoarded and abstracted. Another great chapter deals in the context in which people see

Almost laughably disappointing. Berger obviously has the best of intentions, but his analysis is amateurish at best, pathetically reactionary (almost to the point of seeming to whine) at worst, and largely cribbed from thinkers of far greater intellectual originality and power than himself.For starters, he seems either ignorant of or unwilling to admit that what we broadly call 'mainstream visual art' is, was, and quite likely almost always has been directly tied up with wealth; with

Thank you for taking time to write this. Harmful to swallow in one read. I second that.

This book really made me think about how to view art. In particular, the connection between the oil paintings of the last few hundred years and advertising images was something I had never thought about. This book also presents some insightful criticisms of the use of nudes in traditional art.

There is more than meets the eyeI recently reread Kenneth Clark's Civilization. It was based on a British documentary TV series, from the end of the 1960s. In it Clark offers a very own, but still fairly classic introduction to art. The book of John Berger (1926-2017) and the accompanying TV-series (look it up on You Tube!) was released in 1972 and was the antipode of Clarks. Berger looked at the works of art very differently, or more correctly: he looked at the way we "see" very differently.To
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