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Title:Other Voices, Other Rooms
Author:Truman Capote
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 232 pages
Published:February 1st 1994 by Vintage (first published 1948)
Categories:Fiction. Classics. Gothic. Southern Gothic. Literature. LGBT. American
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Other Voices, Other Rooms Paperback | Pages: 232 pages
Rating: 3.8 | 12529 Users | 868 Reviews

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Published when Truman Capote was only twenty-three years old, Other Voices, Other Rooms is a literary touchstone of the mid-twentieth century. In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth. But when Joel arrives at Skully’s Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks. Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place. This new edition, featuring an enlightening Introduction by John Berendt, offers readers a fresh look at Capote’s emerging brilliance as a writer of protean power and effortless grace. From the Hardcover edition.

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Original Title: Other voices, other rooms
ISBN: 0679745645 (ISBN13: 9780679745648)
Edition Language: English

Rating Containing Books Other Voices, Other Rooms
Ratings: 3.8 From 12529 Users | 868 Reviews

Commentary Containing Books Other Voices, Other Rooms
In 1935, at an early age of 11, Capote began writing. The first novel that he attempted to write was Summer Crossing but one day, while he and a fellow southerner and writer Carlson McCullers, the author of The Heart is a Lonely Hunter (1940), were walking in the woods, he got inspired to write something about the rural life in the South. So, he set Summer Crossing aside and wrote this book. This then became his first published book (1948) when Capote was 24 years old. The style is Southern

You know Truman Capote's famous quote about how he felt that he and Perry Smith grew up in the same house, and then one day he got up and walked out through the front door, while Perry left out the back? Also, you know the unnecessary speculation that Capote actually wrote his friend Harper Lee's To Kill a Mockingbird? I really enjoyed this book with its odd, closely observed detail and gothic, Southern, open claustrophobia. Still, it kind of feels like this book and To Kill a Mockingbird

my favorite quotes:"...all his prayers of the past had been simple concrete requests: God, give me a bicycle, a knife with seven blades, a box of oil paints. Only how, how, could you say something so indefinite, so meaningless as this: God, let me be loved.""...so few of us learn that love is tenderness, and tenderness is not, as a fair proportion suspect, pity; and still fewer know that happiness in love is not the absolute focusing of all emotion in another: one has always to love a good many

Southern Gothic on steroids and/or mushrooms. During a recent re-read of To Kill a Mockingbird I learned that Harper Lee and Truman Capote were childhood friends and that each of them had based a character in their novels on each other. In To Kill a Mockingbird, Ms. Lee based Dill Harris on Mr. Capote and in Other Voices, Other Rooms Mr. Capote based Idabel Thompkins on Ms. Lee. They both describe these quirky characters so affectionately that the affection became contagious for me. Maybe it



Sometimes childhood can be seen in a Gothic light.The windows of the house are cracked and shattered, hollow as eyeless sockets; a rotted balcony leans perilously forward, and yellow sunflower birds hide their nests in its secret places; the scaling outer walls are ragged with torn, weather-faded posters that flutter when there is a wind. Among the town kids it is a sign of great valor to enter these black rooms after dark and signal with a match-flame from a window on the topmost floor.Although

Other Voices, Other Rooms: Capote's Swamp Baroque Concerto in Three MovementsOther Voices, Other Rooms was an attempt to exorcise demons, an unconscious, altogether intuitive attempt, for I was not aware, except for a few incidents and descriptions, of its being in any serious degree autobiographical. Rereading it now, I find such self-deception unpardonable.--Truman Capote, The Dogs Bark, New York, Random House, 1973 First Edition Having just re-read To Kill a Mockingbird by Harper Lee, I
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