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Original Title: Sweet Tooth
ISBN: 0224097377 (ISBN13: 9780224097376)
Edition Language: English
Characters: Serena Frome, Tom Haley, Shirley Shilling, Tony Canning, Max Greatorex
Setting: London, England,1972(United Kingdom) Brighton, England(United Kingdom)
Literary Awards: Andrew Carnegie Medal Nominee for Fiction (2013), International Dublin Literary Award Nominee (2014)
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Sweet Tooth Hardcover | Pages: 320 pages
Rating: 3.42 | 45332 Users | 5932 Reviews

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Title:Sweet Tooth
Author:Ian McEwan
Book Format:Hardcover
Book Edition:Special Edition
Pages:Pages: 320 pages
Published:August 23rd 2012 by Jonathan Cape
Categories:Fiction. Historical. Historical Fiction. Mystery. Literary Fiction. European Literature. British Literature

Interpretation Conducive To Books Sweet Tooth

In this stunning new novel, Ian McEwan's first female protagonist since Atonement is about to learn that espionage is the ultimate seduction. Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named "Sweet Tooth." Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves his stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Once again, Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love and the invented self.

Rating Epithetical Books Sweet Tooth
Ratings: 3.42 From 45332 Users | 5932 Reviews

Write-Up Epithetical Books Sweet Tooth
Self-ReferentialI could see someone writing a three-star review of McEwan's latest novel almost as easily as a five-star one. (view spoiler)[Dropped to four stars on Goodreads because although I can remember a lot of the what of the novel on recollection, I can recall almost none of the why: its theme or focus. Rereading this review has helped me to do so, but for a five-star book I shouldn't have to. (hide spoiler)] But not I. For the moment the book arrived and I read the first paragraph, I

My dearest Tom,Upon reading your letter, my first impulse was to burn the accompanying package, walk away, and be done with us forever. But, as you seem to have uncannily predicted, I've now spent a couple of days and nights in your flat, devouring your manuscript and sleeping in between the sheets, nicely ironed. Given that you were in Paris and out of reach, there was no possibility of my responding to you immediately, so I had the luxury of abandoning myself to an extended period of

My introduction to the fiction of Ian McEwan is Sweet Tooth, the author's 2012 literary thriller that aroused my senses like spying on an attractive woman in a London used bookstore might (while on a diplomatic mission, of course). Rather than run wild with the fantastical elements of espionage--with ninjas, neurotoxins or nightclubs--this is an atmospheric document of our narrator's affairs, with the professional careening into the sexual and literature directing her fate. The novel is a book

On the one hand, the heroine's insights on the whys and hows of other people's actions felt empowering. Her ongoing evaluation of the ultimate reasons for about everyone's actions was quite formidable. On the other hand, her emotional rollercoaster felt incredibly weird. Are there really people who do pay that much attention to their emotions? Sweet, lingering prose. Beautiful language, intoxicating imagery. An intersection of many styles of writing. A very memorable book to read in languor. Oh,

To pigeonhole Sweet Tooth into a specific genre will be an act of folly. In the beginning it gives off the impression of a mere Cold war era spy thriller, then steps with casual ease into the territory of metafiction and in the end it changes tack and becomes a meditation on romance. But even so it never appears indecisive or loses sight of what it sets out to do - which is to juxtapose several contrasting themes and give us a fast-paced yet compelling human drama unfolding against the bleak

Self-ReferentialI could see someone writing a three-star review of McEwan's latest novel almost as easily as a five-star one. (view spoiler)[Dropped to four stars on Goodreads because although I can remember a lot of the what of the novel on recollection, I can recall almost none of the why: its theme or focus. Rereading this review has helped me to do so, but for a five-star book I shouldn't have to. (hide spoiler)] But not I. For the moment the book arrived and I read the first paragraph, I

I would like to know Ian McEwanto be the kind of friend who meets him for lunch. If I were, Id say, All right, Ian, give it up. Tell me straight. How do you know what it feels like to be a woman? How do you know the sensations, the thoughts women rarely say about being with men? Dont lie. I promise Ill keep it a secret.I think all good writers become their characters and hence, they are writing from an authentic place that is much bigger than who they are in day-to-day life. Plus, there is
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