Describe Books As One, No One and One Hundred Thousand
| Original Title: | Uno, nessuno e centomila |
| ISBN: | 0941419746 (ISBN13: 9780941419741) |
| Edition Language: | English |
Luigi Pirandello
Paperback | Pages: 176 pages Rating: 4.1 | 9706 Users | 509 Reviews
Explanation In Favor Of Books One, No One and One Hundred Thousand
The great Pirandello's (1867-1936) 1926 novel, previously published here in 1933 in another translation, synthesizes the themes and personalities that illuminate such dramas as Six Characters in Search of an Author. Vitangelo Moscarda ``loses his reality'' when his wife cavalierly informs him that his nose tilts to the right; suddenly he realizes that ``for others I was not what till now, privately, I had imagined myself to be,'' and that, consequently, his identity is evanescent, based purely on the shifting perceptions of those around him. Thus he is simultaneously without a self--``no one''--and the theater for myriad selves--``one hundred thousand.'' In a crazed search for an identity independent of others' preconceptions, Moscarda careens from one disaster to the next and finds his freedom even as he is declared insane. It is Pirandello's genius that a discussion of the fundamental human inability to communicate, of our essential solitariness, and of the inescapable restriction of our free will elicits such thoroughly sustained and earthy laughter.
Particularize Of Books One, No One and One Hundred Thousand
| Title | : | One, No One and One Hundred Thousand |
| Author | : | Luigi Pirandello |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 176 pages |
| Published | : | September 1st 1992 by Marsilio Publishers (first published 1925) |
| Categories | : | Classics. Fiction. European Literature. Italian Literature |
Rating Of Books One, No One and One Hundred Thousand
Ratings: 4.1 From 9706 Users | 509 ReviewsAssessment Of Books One, No One and One Hundred Thousand
I guess it should also be 4 stars. In any case, all that this book has left me is confusion and inner void. It makes you question about yourself but to me in a pointless way. I understand the protagonist point but following his lead would bring to a meaningless life. It's fascinating but at the same time disturbing. I appreciated how in the end the storyline got more vivid and active. This book let me realise how much more I appreciate adventurous books.My son asked me what I was reading and for a second I did not know how to answer. I only said:- One, no one, and one hundred thousand.- What do you mean?- Well you're one, right?- Yes.- And for me you are my son, to Anna you're her biggest brother, to grandmother you are her grandson, for the teacher you are "Peter, that boy who disturbs the class", to Victor you are his friend, for each person you're someone-else.- (smiling) Yes.- But for you? Who are you to you? None of those, right? Each sees
A book about being gripped with, indeed swept by, the idea of the gulf between the way you perceive yourself, the way(s) others see you, and (if that can be asserted anyhow), the way you truly, objectively are. Hence the one, one hundred thousand, and no one, respectively (if I got it right). After a long period during which the first-person protagonist is working out and getting his head around this notion, he reaches the conclusion that it is impossible, or rather, useless, to try to conform
"...but as to what I am capable of being to myself, you not only can know nothing about that, but neither can I."I wanted to like this more than I did but I know that this is "probably about me, not about you" kind of situation. I was reading this whilst felled by the flu, headachy and cranky and I lost patience with Mr. Moscarda, our protagonist and his waffling on about the nature of reality and identity after his wife surprises him by describing his nose differently than his own perception of
Fresh and urgent new translation of Pirandello's classicLuigi Pirandello's tale of how a man's life takes a very different turn following a throwaway comment of his wife, regarding the shape of his nose is in turns funny, poignant, wry and unnerving. It is given fresh impetus by Kevan Houser's uncluttered, clever translation.
Vitangelo Moscarda is the central character of this story. He is Italian, married and twenty-eight. He has no kids. Nobody disputes these facts. Everything else about his personality--his goals, motivations and manner of beingmay be and is up for debate!The book is a novel but reads as a philosophical treatise. Its theme is who we really are. Are we most accurately how we view ourselves or how others view us? Can an accurate representation be drawn by any? A quick glance in a mirror shows one
Please....just because a famous author wrote it, this doesn't mean the book is a good one. The same concept repeated a thousand times: I kept on thinking "yes yes I understood what you mean, stop saying it again and again"Ma per piacere, una media di 4 stelle....lo stesso concetto ripetuto 40'000 volte. Bastavano 10 pagine per spiegarlo e bon, invece un intero libro inutile e noioso.
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