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Billy Budd, Sailor Paperback | Pages: 160 pages
Rating: 3.12 | 14406 Users | 890 Reviews

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Original Title: Billy Budd, Sailor
ISBN: 1416523723 (ISBN13: 9781416523727)
Edition Language: English

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Dear High School Curriculum Writers: I am positive that you can find a better novel than this one to use when introducing symbolism and extended metaphor to developing readers. "Christ-figure" is the most over-used of these extended metaphors; over-used to the point where its offensiveness ceases to be about the in-your-face religious aspect of it and becomes instead about the simple over-use of the symbols. If you want to "go there" with symbolism and metaphor and have high school age kids the ways in which literature can illuminate our experience not by representing it literally but by unhinging from it, try helping these students discover Garcia-Marquez or Allende. And that's just assuming you want to stay in the "safe" territory of the Western hemisphere. Ever your advisor, me.

Be Specific About Epithetical Books Billy Budd, Sailor

Title:Billy Budd, Sailor
Author:Herman Melville
Book Format:Paperback
Book Edition:Deluxe Edition
Pages:Pages: 160 pages
Published:August 1st 2006 by Simon Schuster (first published 1924)
Categories:Classics. Fiction. Literature. Historical. Historical Fiction. American

Rating Epithetical Books Billy Budd, Sailor
Ratings: 3.12 From 14406 Users | 890 Reviews

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I had hoped that during the time that has lapsed between having had to read this and Moby-Dick or, The Whale as an undergraduate and now I would have warmed up a bit more to Melville, who along with Dickens holds the dubious distinction as being my least favorite "canonical" authors. No dice. I found this just as difficult to read and even more difficult to sustain any kind of interest in, and was most grateful for the relative brevity of Billy Budd, especially as Melville's writing style can

While the themes of justice and law were interesting, what really stood out to me was the gay subtext of the novella. The last 5 chapters were intense, filled with memorable passages and analysis from different perspectives.

Boring and meandering - the writing style too, is not to my taste. Why is this a classic and on the 1001 book you need to read list?

Melville, what are you about man? That's just too much telling for the story's own good!In Billy Budd, Sailor we have what could've been a grand, character-driven swashbuckling adventure. However, Melville apparently wanted to write about sailing and the early navy, and must have felt he needed to throw in a story to justify the book. The two subjects needed to merge more seamlessly for this to work. Otherwise two separate books should have been published, a treatise and a tale, for they are two

Dear High School Curriculum Writers:I am positive that you can find a better novel than this one to use when introducing symbolism and extended metaphor to developing readers. "Christ-figure" is the most over-used of these extended metaphors; over-used to the point where its offensiveness ceases to be about the in-your-face religious aspect of it and becomes instead about the simple over-use of the symbols. If you want to "go there" with symbolism and metaphor and have high school age kids the

From BBC Radio 3 - Drama on 3:The playwright Keith Dewhurst adapts Herman Melville's powerful story of persecution and retribution in the aftermath of the Naval Mutinies at Nore and Spithead in 1797. He also tells the story of the man who wrote it. Part of Radio 3's Britten centenary weekend, this play provides an alternative context to Britten's opera, which is also being broadcast on the station. Herman Melville was a man who himself had more than a passing acquaintance with mutiny. There was

(Note: I read the version of this book collected in The Norton Anthology of American Literature; I chose this edition on Goodreads for convenience's sake and because it also contains the text of the novellathat of Hayford and Sealtsthe Norton uses.)It seems odd that this novella should ever have been required reading in American high schools and introductory literature courses. Its unfinished text remains in an uncertain state; its prose is maddeningly involuted, its sentences clogged with
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